OREGON SYMPHONY NOMINATED FOR GRAMMY
Orchestras first Grammy nomination for solo performance with orchestra
by Principal Percussion Niel DePonte with James DePreist conducting
Dec. 4, 2003
One of the 46th Grammy nominations announced this morning was a first for the Oregon Symphony. The orchestra has issued 11 recordings since 1987, all of them with now Laureate Music Director James DePreist. But this is the Symphonys first Grammy nomination.
The Oregon Symphony nomination falls in the Classical Field, in the category of Best Instrumental Soloist Performance with Orchestra and is for the recording of Oregon composer Tomas Svobodas Concerto for Marimba and Orchestra conducted by DePreist and featuring Principal Percussion Niel DePonte.
I am in total shock, said DePonte. The last time I felt emotion like this was when I won the job with the Oregon Symphony 26 years ago.
Its very, very gratifying, said DePreist from his new home in Scottsdale, Ariz. The credit goes to Mary Tooze for making the recording possible, to Niel for his fine playing and to Tomas for writing such a wonderful piece. I am thrilled for everyone concerned.
Tooze, who funded the recording, approached DePreist and asked him to consider recording Svobodas Marimba Concerto because she said it is a good, solid piece and one you find out more about each time you hear it. She calls it the real star of the all-Svoboda recording, which also features his Overture of the Season and his Symphony No. 1 (of Nature). Of the millions of recordings that are made, to have this one, with unknown music, nominated is marvelous and well-deserved, she said.
Without Mary, none of this would have happened, said Svoboda. I am grateful to Jimmy and to Niel and I wish them good luck.
The 2004 Grammy ceremony is scheduled in Los Angeles on Feb. 8, 2004
Oregonian - DAVID STABLER
If Niel DePonte wins Sunday, he will be the first marimba player to be awarded a classical Grammy
Niel DePonte stood on the lip of the stage in the Arlene Schnitzer Concert Hall, hands flying over the marimba. Like a swashbuckling Errol Flynn battling villains up one staircase and down another, his fists blurred up and down the instrument.
The music was not the marimba's usual mellifluous, sun-and-sand sound that takes listeners to blue seas and warm breezes. It had the snap of a Czech folk dance dear to the heart of its composer, Tomas Svoboda.
DePonte's performance in Svoboda's Marimba Concerto was startling enough to net DePonte a Grammy nomination after it was released on CD, and if he wins Sunday, he will be the first marimba player ever to win a classical Grammy. DePonte, 50, has been the Oregon Symphony's principal percussionist since 1977. He has performed the piece live on two occasions with conductor James DePreist and the Oregon Symphony.
This is DePonte's first Grammy nomination, which also recognizes DePreist, the Oregon Symphony's former music director, as the conductor on the recording. The category is best instrumental soloist performance (with orchestra).
DePonte, a well-known percussionist, conductor and arts advocate, faces some stiff competition, including Russian violinist Maxim Vengerov and conductor Mstislav Rostropovich, pianist Mikhail Pletnev, cellist Han-Na Chang and pianist Alan Feinberg.
On Thursday, DePonte flew to Los Angeles to take part in the Grammy's pre-awards ceremonies. Neither Svoboda, the internationally known composer, now retired from Portland State University, nor DePreist, the Oregon Symphony's former music director, are joining him, he said. DePonte will stay with other nominees at the Millennium Biltmore Hotel and attend a lunch to salute classical music and a nominees dinner today.
The classical music awards pale beside the Grammy Awards televised ceremony recognizing more popular artists such as OutKast and Beyonce. The classical awards take place Sunday afternoon before the televised awards Sunday evening. KOIN (6) will broadcast the three-hour program beginning at 8 p.m.
None of that bothers DePonte.
"As always, it's an honor just to be nominated," he said.
Niel DePonte's road to the Grammy Awards began 12 years ago. He first discussed the idea of a marimba concerto with Svoboda in 1992, to be premiered during the orchestra's 100th season in 1995. The music offers unusual tonal shadings, a gorgeous chorale backed by a percussion quintet and a brassy quick-step that give way to running notes and leaps for the soloist.
Portland philanthropist Mary Tooze funded the recording, which took place in the orchestra's home at the Arlene Schnitzer Concert Hall in January 2000. They sandwiched the recording sessions between live performances of the piece on the orchestra's subscription series.
"That was something," DePonte said. "We opened on Saturday night, did a three-hour recording session Sunday morning, performed Sunday night, then a two-hour cadenza session Monday morning, performed Monday night and again in Salem Tuesday night."
During the summer of 2000, DePonte edited the recording with engineers in Boston. Svoboda and DePreist signed off on his production work, but the recording sat "in the can" because they didn't have a recording company lined up to print it.
Finally, Albany Records agreed to release it in July 2003, which is why it's up for a Grammy this year.
DePonte, who joined the Oregon Symphony when he was 24, is also music director and conductor of Oregon Ballet Theatre. But he's equally well-known for encouraging arts education for young people. Each summer, he runs a children's arts camp for kids of diverse backgrounds, and each spring, he leads eight or nine of the region's most talented young musicians in a concert with a professional orchestra in Schnitzer Hall.
"No matter what," DePonte said of the Grammys, "Tomas and Mary Tooze deserve so much credit for making the piece and making the recording happen. And DePreist for supporting it."
David Stabler: 503-221-8217; email@example.com
Portland Tribune, Dec. 9, 2003
Symphony drums up a Grammy
principal percussionist Niel DePonte has been nominated for a Grammy Award, the symphony
DePonte was nominated in the category of Best Instrumental Soloist Performance with Orchestra for his work in the recording "Orchestral Works by Tomas Svoboda" on Albany Records. He is one of five nominees.
"I am completely overwhelmed," DePonte said following the announcement. "I had no idea the recording had been submitted." DePonte, who joined the symphony in 1977 at 24, is also the music director and conductor for Oregon Ballet Theatre.
The Grammy is the recording industry's most prestigious award, and is presented annually by the Recording Academy.
The nominated 2003 recording was conducted by then musical director James DePreist. Under the leadership of DePreist, now the symphony's laureate music director, the orchestra produced 11 recordings beginning in 1987.
"The prestige goes to the orchestra," says Svoboda, who taught music full time at Portland State University for 27 years before retiring in 1984. "This is a great moment for our symphony.
"The running joke is that forever more, the name of this organization is 'The Grammy-nominated Oregon Symphony Orchestra,'" says Carrie Kikel, director of public relations for the symphony. "The Grammy acknowledgment is recognized as a mark of great artistic achievement. To be nominated is about as good as it gets."
The award ceremony will be held in Los Angeles on Feb. 8.
DePonte will next be seen locally conducting OBT's "The Nutcracker," beginning Dec. 11. He next appears with the symphony on Jan. 4.
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